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Making Camp at 'Evening Shadows, backwater of the river Murray, South Australia, 1880'

by Baylis, Troy-Anthony.

Ed 5, 29.5 x 42cm 'Each layer is from a different historical and cultural background and in bringing them together the new work queers them ...

Pigmented inks on 310gsm Hahnemuhle paper.

Making Camp at 'Forest, Cunningham's Gap, 1856'

by

Pigmented inks on 310gsm Hahnemuhle paper.

Making Camp at 'Forest, Cunningham's Gap, 1856'

by Baylis, Troy-Anthony.

Edition of 5 29.5 x 42cm 'Each layer is from a different historical and cultural background and in bringing them together the new work queers ...

Pigmented inks on 310gsm Hahnemuhle paper.

Making Camp at 'Landscape near Ullswater, 1820s'

by Baylis, Troy-Anthony.

Ed 5, 29.5 x 42cm 'Each layer is from a different historical and cultural background and in bringing them together the new work queers them ...

Pigmented inks on 310gsm Hahnemuhle paper.

Making her mark

by Dowling, Julie.

84 x 66 cm

synthetic polymer paint, red ochre, plastic on canvas

Maldaror in the graveyard

by Walker, Deborah.

Warrnambool Art Gallery Courtesy of: Deakin University. Copyright 2007, Deoborah Walker

Maliyan

by King, Graham Davis.

NGA Collection. Printed in 2007 by Michael Kempson of Cicada Press

Malo Mask

by Idagi, Ricardo.

Awarded 2009 Western Australian Indigenous Art Award. Constructed from turtle shell, cowrie shells, mussel shells, feathers, raffia, wicker, saimi saimi seeds, human hair and ochre.

Man Whole Summer Fruits

by Moore, Tim.

Cotton embroidery thread on hand woven vintage Sicilian linen Stitch: running stitch, satin stitch 30cm x 30cm

textile

Man's Destiny Resides in the Sole

by

Created for the Bata Shoe Museum (Toronto, Canada)

Man's Destiny Resides in the Sole

by Borgelt, Marion.

13 m high x 1.4 m diameter; site-specific sculptural installation for Bata Shoe Museum, Toronto, Canada

leather shoes, bees wax, pigment, resin, satin ribbon, links, designer label