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The Idiot Offers Lemons

by Winters, Michael.

pen and ink, 76 x 51 cm. Self-portrait? reproduced on front of invitation from Macquarie Galleries for his exhibition of 'drawings, comics, constructions and portraits' ...

The Ifs of Language

by Lyssiotis, Peter.

Melbourne: Redwood Limited Prints, limited edition of 10 copies, 1 v.; 45 cm.

Works on paper

The Ifs of language: [original artwork]

by Lyssiotis, Peter.

[37] leaves; 11 x 10 - 29 x 21 cm

Works on paper

The Illegal Gift

by Finey, George.

The Illuminated Mulga

by Fowler-Smith, Louise.

The Illustrated Auschwitz

by Farkas, Jackie.

Screen

The Image of Social Revolt

by Zile, Emile.

The Immortalisation of David Gulpilil

by Syron, Gordon.

Archibald entry

The Impact

by Hancock, Jules.

36x48inch Oil, charcoal and conte on canvas

The Incrimination of Light

by Beaubois, Denis Paul.

The Independent

by Nerli, Marchese Girolomo.

The Infant Samuels

by Dodd, Thomas L..

after Reynolds?

The Inlet, Augusta

by Heap, Amy Elizabeth.

Held at the Art Gallery of Western Australia, Perth, WA.

The Innocents

by Hawkins, Weaver.

The Interior of Sir Ashton Lever's Museum when at Leicester House, London

by Stone, Sarah.

The Interior of a Farm-Yard, with a Steam Threshing Machine in Operation

by Pybus, William.

The Interior of the Abbey of Westminster

by Prout, Victor Albert.

The Interview

by Rodway, Florence Aline.

The Intruders after Ansdell

by Livingston, Margaret H..

The Invalid

by Coventry, Frederick Halford.

Copper engraving, edition of 50 Exhibited in Drawings & Engravings by F.H. Coventry Exhibition, Twenty-One Gallery, London, 1930 (cat. 24); Josef Lebovic Gallery 1997 (cat. ...