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Tischbauer, Alfred, b. 1853
French born artist and theatre designer who painted various Sydney street scenes and documented interior views of exhibition spaces at the Art Gallery of New ...
Tocsin

by Lindsay, Norman.

The Season of Stress and Toil

by Davies, David.

Durkin, Tom, b. 1853
Colonial political cartoonist.
Roberts, Tom, b. 1856
One of Australia's most iconic painters, Tom Roberts was an early champion of plein-air painting and together with Frederick McCubbin, Roberts helped establish the famous ...
Sani, Tomaso, b. 1839
Italian-born sculptor Tomaso Sani, along with Luigi del Vescovo, was responsible for the controversial basso-relievo carvings on Sydney's General Post Office in 1883. He carved ...
Tomkinson, Louisa Charlotte, b. 1834
Adelaide based sketcher.
The Toper

by Ramsay, Hugh.

oil on canvas

Topham, Charles H.
Resident in Kalgoorlie in 1899-1901, he is known for a painting of Mt Magnet in 1895.
(Touring exhibition)

by McIlwaine, Leila.

Organised by Edward Bevan.

Charters Towers

by Allom, William Jamieson.

Bad News from Town

by Fullwood, A. H..

New Town

by Medland, James.

Duryea, Townsend , b. 1855
Townsend Duryea Jr, professional photographer the son of prominent American born Adelaide photographer Townsend Duryea Sr. He worked for Rushton & Just, Adelaide c 1883 ...
East London Trades, Industries and Arts Exhibition

by Craig, Anna Charlotte.

memorial plaque to commemorate a family tragedy

by Cowan, Theodora Esther.

On board the Japanese training ship Kongo

by Blashki, Myer.

Tranthim-Fryer, John Robertson, b. 1858
Tasmanian born sculptor and art teacher. He returned from London to settle in Victoria where he became first Director of Swinburne Technical College in 1908, ...
Solly, Benjamin Travers, b. 1820
A well-connected colonial official for most of his life, Solly was an accomplished sketcher and watercolourist with representation in significant collections.
Batman's treaty with the Aboriginies at Merri Creek, 6th June 1835

by Burtt, John Wesley.

A copy of Burtt's lithograph of the painting has been described as The First Victorian Land Syndicate.