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Sewing Machine Beheads Itself (Feet Up)

by Byrne, Ben.

Inspired by a passage of writing by pioneering visual collagist Kurt Schwitters, Sewing Machine Beheads Itself (Feet Up) straddles the divide between art and music ...

Sound

Short Before The Movie

by Merewether, Janet.

Jonas Mekas wrote that 8mm home movies would be the folk art of the 20th century ...

Screen

Silent Breath

by Feneley, Louise.

137 x 114cm

Oil on canvas

Sisters

by Dunlop, Sophie.

50 x 39 cm

Oil on canvas

Small Mission Brown Heart

by Nain, Clinton.

50.5 x 405 cm

acrylic on canvas

Smithfield Planter Boxes

by Makrab, Abbas.

Fourteen planter boxes with thirty-six mosaic inserts (2003). Nine planter boxes(2006).

Snake Path

by Graham, Anne.

150 metres long; installation views, Echigo-Tsumari Triennale, Japan; project manager Sakura Iso; photographs courtesy Art Front Gallery, Japan; photograph © S. Anzai

ceramic tiles

So Close (Oxygen)

by Warren, Matt.

Matt Warren's mother once told him of an experience she had drowning as a young girl ...

Sound

Sorry

by Yekta, Mahmoud.

Sorry is an aesthetic response to the ongoing debate in Australia about the necessity for an official apology to the indigenous people by white settlers ...

Screen

Sorry = Reconciliation

by Parker, Frances Belle.

Installation of acrylics, turps release Prints, text, safety pins on pillow protector slips.

Sportsday at Carrolup

by Ugle, Primus.

In National Gallery of Australia collection

Squareize - analogue to digital conversions

by Callas, Peter.

Digital printsBoutwell-Draper Gallery, Sydney (2003); ARC one Gallery, Melbourne (2004) The height to width ratio of the televised image from its introduction in National Socialist ...

digital artwork

Still Life with Rabbits

by Young, Lisa.

76 x 103cm

Oil on canvas

Storm Waters

by Turpin, Jennifer.

Collaborative work